Once weekly needlepoint sampler using the stitch templates provided by Sheree Lantz in her ‘A Pageant of Pattern for Needlepoint Canvas’

Mrs Lantz refers firstly to the group: Mosaics. Then the stitch: a flat. The design she states is a German 15th century embroidery pattern.

This is my ninth sampler. I’ve used two threads of 2-ply Appletons crewel wool in pale rose and raspberry pinks. I stitched this in Florence, by a large window, overlooking St Elizabeth Square, on a cold crisp evening, with the shutters open and the sounds of tourists seeping in.

Once weekly needlepoint sampler using the stitch templates provided by Sheree Lantz in her ‘A Pageant of Pattern for Needlepoint Canvas’w

Mrs Lantz refers firstly to the group: Mosaics. Then the stitch: a flat. Refer to page 129. The design is a 13th century mosaic pavement pattern from the Baptistery in Florence.

The Baptistery floor dates from the 13th century. The white, green and red marble and stone floor I saw when in Florence had replaced the previous crushed brick floor paving (cocciopesto.) Annamarie Giusti, in her book, The Baptistery of San Giovanni in Florence, describes the flooring as made up of ‘…a series of marble ‘carpets’, lying side by side.’ Also, that the floors were laid down by ‘…the craftsmen of Ancient Rome…’ using the opus tessellatum technique. The term ‘marble carpets’ describes very well what I saw, but I have since struggled to identify which geometric patterns have influenced each of Mrs Lantz’s sampler designs. With more time in Florence to photograph and log, this might be achievable, but alas, the real world beckons. So, this pattern looks the closest to my sampler below, or at least reminds me of it! Wish I could ask her…

This is my ninth sampler. I’ve used three shades of Appletons crewel wool (maroon, pale blue and a teal), as well as a Kreinik silver metallic thread, to create a more eye-catching effect to help emphasise aspects of the pattern.

Loveday Epic crewelwork sampler by Nicola Jarvis’s

There has been so little time to stitch over the past four weeks, but wonderful times have been had in Florence and Winchester!

But, today I started on Mr Woodpecker. All shades of grey and black with a splash of glitz and crimson. A little more bling than Nicola might prefer, but I’ve used a very fine red metallic braid by Kreinik, and a black and silver Madeira thread I purchased at the Harrogate Knitting and Stitching show this year, to do the seed stitches and some of the couching. Although far from perfect, I’ve really enjoyed my afternoon and Mr Woodpecker looks much happier!! Me, not so much, I will never try to unpick seed stitching again, better to live with what you didn’t do well enough!

I’ve now stitched the head with French Knots using a single strand of black Appleton’s. This is a wonderful stitch that is so easy to do, but it is difficult to get a nice curve. I used lots of little single twists to fill in the small gaps to achieve a better curve. That works well I think.

I then did the Vermicelli couching on the underbelly using a single strand of grey Appleton’s thread and the black and silver Madeira. I’ve learnt that I find it very difficult to do random! With Vermicilli couching, you should couch your stitch down in a random pattern without crossing over another thread in the area in which you are stitching. I don’t mind my stitching of the belly, but I don’t love it, it could be much better. Perhaps I’ll take it out at the end? I feel there is too much white space.

The head is now completed and most of the wing. Really struggled with the slanted satin stitch last night. I’ve stitched this section numerous times, but had to get it right last night, as I was running out of wool! So, I visited Mary Corbet’s page on this stitch, and it gave me the boost I needed to go on, albeit not very well! But, as with everything, once you get into the rhythm, your stitching gets better. I keep a stitch diagram to my left which reminds me how to get the direction of the stitch running at the right angle. This visual reminder works best for me. I still need to complete the black satin stripes on the wing, the rest of the seeding and the claws. My aim is to complete Mr Woodpecker by next weekend. But, a very busy work schedule looms forebodingly this week!

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On another note, although below freezing, with the clouds looking heavy with snow, it’s still light at 4:20pm, and I am beginning to think what seed potatoes I will plant this year!

Trees in canvas stitch by Rachel Doyle

This is my first canvaswork kit and was designed by Rachel Doyle who is the author of the Royal School of Needlework guide to Canvaswork stitches. She is also a tutor for the School.

Rachel states the source of inspiration for the kit is the trees at Hampton Court Palace. The kit is a sampler of stitches including: tree stitch; John stitch; Scotch stitch and double linked cross stitch. The wool is Appleton’s which I have learned to love as I complete my Loveday Epic Crewelwork project by Nicola Jarvis. All of these stitches are new to me! Can’t wait to start.

I was so pleased to receive this as part of my Christmas box, so thank you Nina And Dave Brown.